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Musicianship
Foundation
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Do you feel that your practice is not returning the results you want. That other musicians seem to make way more progress in way less time. In this lesson we’re going to talk about the practice habits of great musicians. What they are doing that makes their practice so effective. At the end I’ll show you an easy exercise that I give to students who struggle with practice that you can do to improve your sessions.

Improvisation
Improver
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Do you want your solos to rock? In this weeks lesson I’ll share with you the top 5 rock licks that the pros use to write killer solos. I’ll show you how to play each the five licks, how to modify them to make them your own, and stick around to the end for an exercise that will teach you how to chain these ideas together to make your own solo.

Fretboard Mapping
Improver
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This week I’m demystifying the CAGED system. It’s not complicated but it often trips students because you can do a lot with it. I’ll show you what the CAGED system is, how it works, and how to apply it to any chord, scale, or arpeggio that you can think of. If you feel like you can’t use the whole fretboard, are stuck in scale boxes, or your chord vocabulary is limited, this is the lesson for you.

Improvisation
Improver
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In this weeks lesson we’re going to talk about how to mix major and minor pentatonic scales. This iconic blending of scales will help you spice up your solos by playing with the ideas of tension and release. Made famous by players like Eric Clapton, John Mayer, and Stevie Ray Vaughan, learning to mix major and minor pentatonic scales will become an essential part of your improvisational tool kit. We’ll cover why mixing major and minor pentatonic scales sounds so great, when and how to use it generally, and finally how to use this tool in a blues.

Musicianship
Foundation
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In this lesson we’ll be talking about how to play by ear, using a concept called the musical feedback loop. Clearly, being able to play by ear is a vital skill for any musician. From copying a phrase that someone plays to you, transcribing your favourite songs, to improvising and writing your own music, playing by ear facilitates these skills and more. This post covers the four main things you need to be doing in order to play by ear – Audiation, Fretboard Mapping, Technique, and Comparison – and how these four skills come together to form the musical feedback...

Theory
Enthusiast
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This weeks lesson is the Dorian Mode – making it musical. We’ll be discussing what the Dorian mode is, how to make Dorian chord progressions, and how to pull out the Dorian sound in your improvisation. All in pursuit of making you sound more musical with the Dorian mode. There are some things that would be really beneficial for you to understand already in order to get the most out of this lesson. Those are the major scale, intervals, Nashville numbers and how modes are constructed. If you are uncertain on any of these topics, let me know in the...

Improvisation
Foundation
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This weeks lesson is on guitar phrasing, everything you need to know to stop sounding like a scale and be more musical when you improvise. It covers motifs, call and response, leaving space, acquiring vocabulary, and modifying your vocabulary to create original phrases on the fly like pro improvisers. If you feel that your solos just sound like scales, or would like to play more in a more musical and engaging manner, I think you will find many of the ideas in this post/video useful.

Technique
Improver
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Do you find it hard to play guitar fast? In this lesson pack I’ll be covering how to play guitar fast – the magic of chunking. Chunking is a method that will not only boost the speed you can play at, but also the rate at which can learn fast ideas. By the end of today’s lesson you will know what chunking is, how to apply the concept of chunking to a technical musical ideas, and you will have a fast lick that you can learn yourself to implement these ideas with.

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